"Tell me again about Europe and her pains, 

  Who's tortured by the drought, who by the rains.

  Glut me with floods where only the swine can row" -- William Empson

Europe is in crisis, deep economic and political crisis. With many member-state economies now tottering on zero-growth meltdown, professional politicians and economists persist with austerity drives and devise ideological covers for the continued plundering of public resources. Frack capitalism power-drills into the public realm, extorting value from erstwhile common property. A para-state of technocrats and Euro-bureaucrats, meanwhile, governs, "sending us rain and sunshine from above" (Marx). One big problem such professional representation poses for ordinary Europeans -- for people I shall call amateur shadow citizens -- is PARTICIPATION. Shadow citizens are disenfranchised Euro-citizens who express a citizenship waiting in the wings, a potential solidarity haunting the mainstream, floating across frontiers and through designated checkpoints. This lecture investigates the dialectic between professional austerians and shadow citizens, doing so while attempting to put a fresh spin on Henri Lefebvre's "late" ideal that the right to the city is "nothing less than a new conception of revolutionary citizenship."

Andy Merrifield, Supernumerary Fellow in Human Geography, Murray Edwards College, University of Cambridge

Andy Merrifield is a writer, social theorist, and urban geographer. He has taught human geography at the University of Southampton, King's College, London, and Clark University in Massachusetts, and has been a visiting scholar at Johns Hopkins University, Baltimore, the University of California, Los Angeles (UCLA), the University of Sao Paulo, Brazil, the University of Manchester (as Leverhulme Visiting Professor), and the City University of New York CUNY). For a number of years, he was a freelance writer living in France, where he wrote biographies of Guy Debord and Henri Lefebvre, as well as a bestselling "existential" travelogue, The Wisdom of Donkeys. He is author of nine books; his articles, essays, and reviews have appeared in the Times, The Nation, Harper's Magazine, New Left Review, Adbusters, Harvard Design Magazine, Radical Philosophy, Monthly Review, and Dissent, amongst others.

For more information on the film series "Europe Through the Lens: a Festival of Contemporary European Films" visit http://libguides.uky.edu/eurofilm. 

Symposium

Cloistered Women’s Voices: Sound, Song and Lyric in Early Modern Convents

March 30-April 1, 2016

University of Kentucky, Lexington KY

In recent years, sound, lyric and song in early modern women’s religious communities has received increased attention from musicologists, historians and literary and cultural studies specialists.  Despite renewed scholarly interest, disciplinary and geographic boundaries tend to limit prior approaches.  For example, few extant works address the intersection of music and literary cultures in early modern women’s religious communities and none consider convent music-making from a global perspective.  As a result, it becomes difficult to draw conclusions about cloistered women’s lyrical and vocal production as a broad cultural practice.  The Cloistered Women’s Voices Symposium thus responds to these lacunae by examining song and lyric in convents throughout Europe and the Americas.  This comparative and cross-disciplinary scope puts diverse convent music cultures into dialogue and draws out paradigms of voice among cloistered women.

SCHEDULE

Thursday, March 31

6:00 pm—concert; St. Augustine's Chapel, Rose Street

Friday, April 1

Niles Gallery

9:00 am—First session: Voice and Lyric

1. “Reading Lyrics: Miguel de Toledano’s Minerva sacra.” Colleen Baade, Creighton University 

2. “The nun’s smooth tongue has sucked her in”: Cloistered Language in Marvell’s Upon Appleton House.”  Tessie Prakas, Kenyon College

3. “Songs in the Prison Cell, Songs at the Scaffold: Carmelite Convent Song extramuros, and the case of the Sixteen Carmelites of Compiègne.” Daniel Hanna, Lake Forest University

10:30—Coffee break

11:00—Second session: Sound and Contemplation

4. “Spiritual Soundscapes: La Musique spirituelle (1718) and La Dissection spirituelle of Marie-André Duplessis de Sainte-Hélène of the Hôtel-Dieu of Quebec." Thomas Carr, Harold E. Spencer Emeritus Professor of French

5. “Contrapuntal Voices: Silence in New Spanish Convents.” Sarah Finley, Christopher Newport University

6. “Nuns’ Spiritual Exercises and Music in Early Modern Rome.” Kimberlyn Montford, Trinity University

12:45—Lunch break

2:00—Third session: Performance Practice

7. “A Most Useless Vanity: Venetian Novices Singing at their own Monacations.” Jonathan Glixon, University of Kentucky

8. “Women Singing Low: Bass and Tenor parts in Viennese Convents.” Janet Page, University of Memphis

3:00—Coffee break

3:45—Keynote:  "Pænæ Catænæ sunt Præmium Amoris: Bodily Mortification and Mystical Death in Convent Choir Lofts." Craig Monson, Paul Tietjens Professor Emeritus of Music, Washington University, St. Louis, Missouri

Organizers: Mónica Díaz, U of Kentucky; Sarah Finley, Christopher Newport University; Jonathan Glixon, U of Kentucky; Daniel Hanna, Lake Forest College

For more information on the film series "Europe Through the Lens: a Festival of Contemporary European Films" visit http://libguides.uky.edu/eurofilm.